Jeannie C. Riley

Jeannie C. Riley (born Jeanne Carolyn Stephenson, 19 October 1945) is an American country music and gospel singer. She is best known for her 1968 country and pop hit "Harper Valley PTA", which missed by one week simultaneously becoming the Billboard Country and Pop number-one hit.

She was a guest performer in Hee Haw.

Early Life
Jeanne Carolyn Stephenson was born in Stamford, Texas. As a teenager, she married Mickey Riley and gave birth to a daughter, Kim Michelle Riley on 11 January 1966. Later, they moved to Nashville, Tennessee, after receiving a letter from Weldon Myrick, who heard a demo tape of Jeannie's and believed she could be successful. In Nashville, Riley worked as a secretary for Passkey Music while recording demos on the side.

Career
Riley's career was stagnant until former Mercury Records producer Shelby Singleton received a demo tape of Riley's voice. Singleton was starting and succeeding with his own label, Plantation Records, at the time. He worked with Riley in the recording of the Tom T. Hall demo song in which Singleton saw potential, "Harper Valley PTA". Released in 1968, the record quickly became one of the best-known country music songs of all time. Riley was the first woman to hold the Number 1 spot on the Pop and Country charts at the same time. The track is about a widowed woman by the name of Mrs. Johnson, who confronts a group of members of the PTA after her daughter brings home a note from school that is critical of her mother's (Mrs. Johnson's) habits of wearing miniskirts, going out with men, and other behavior of which they do not approve. The climax of the song comes when Mrs. Johnson turns the tables on the PTA and exposes their hypocrisy one member at a time, noting that their private behavior is far worse than what their letter criticized her for.

Riley became an overnight sensation as the single earned her the Grammy Award for Best Female Country Vocal Performance and was named the Country Music Association Single of the Year. Riley also became one of the few country artists ever nominated in the major pop Grammy Award categories of "Best New Artist" and "Record of the Year". Globally, it sold over five and a half million copies, and was awarded a gold disc by the R.I.A.A. just four weeks after the song's release. The album of the same name sold over one million units to gain a further gold disc for Riley.

The song was a phenomenon which led to Riley making country music history in 1969 as the first female vocalist to have her own major network variety special, Harper Valley U.S.A., which she hosted along with Jerry Reed and featured performances by Mel Tillis and the song's writer, Tom T. Hall.

The song spawned a 1978 film and a 1981-83 television series, both titled Harper Valley PTA and both starring Barbara Eden as the widow Mrs. Johnson.

During the late 1960s and into the very early 1970s, Riley ranked among the most popular female vocalists in the country music industry. She had five Grammy Award nominations and four Country Music Association nominations, and performed a duet with Loretta Lynn. She had success on the country charts again, but on a lesser scale.

Other hits following "Harper Valley PTA" include "The Girl Most Likely", "There Never Was a Time", "The Rib", "The Back Side of Dallas", "Country Girl", "Oh Singer", and "Good Enough to Be Your Wife".

Riley became known as much for her sex appeal and beauty as for her music, foreshadowing Shania Twain and other contemporary female vocalists by nearly three decades. At a time when many country queens were keeping a wholesome image by wearing gingham dresses, Riley kept in tune with typical late-1960s fashion by donning miniskirts and go-go boots for her stage outfits, somewhat in the character of the protagonist in "PTA". Her mod persona opened many doors in country music, as hemlines of other female country artists' stage outfits began rising in the years that followed. But Riley herself was not comfortable with her image, and she eventually abandoned it for a more conservative wardrobe of floor-length gowns and ankle-length dresses typically worn by conservative female country artists. In the 1993 CBS documentary The Woman of Country, she noted that during the "Harper Valley" period, it was largely her publicist and manager who were responsible for creating and playing up her sexy image.